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合金装备4：爱国者之枪：小岛秀夫本不想制作的不完美杰作_我的网站

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一 | 像 Old Snake 一样，合金装备4：爱国者之枪: Guns of the Patriots 是一个化石。它是游戏进化的一个遗传死胡同，是一部疯狂而满溢的杰作，却几乎没有在艺术形式上留下印记。

二 | 尽管在商业和评论界都取得了成功，但 MGS4 很少被视为顶级 METAL GEAR SOLID Δ: SNAKE EATER。 He was considered the most handsome star of his era and she was said to be the most beautiful actress. No wonder the jodi of Dharmendra and Sharmila Tagore managed to pull in the crowds in droves with every release. They had an easy camaraderie going on screen and complemented each other to a T. Today, as we mark Dharmendra's first birth anniversary, there is even deeper poignancy in celebrating this golden pair, who also happened to share the same birthday, December 8. On this heartfelt occasion, Filmfare looks back at the most celebrated movies, where the golden couple starred together. In This Article Anupama (1966)Devar (1966) Mere Hamdam Mere Dost (1968)Satyakam (1969)Yakeen (1969)Chupke Chupke (1975)Ek Mahal Ho Sapno Ka (1975) Sunny (1984)Anupama (1966) Directed by Hrishikesh Mukherjee, the film is considered a classic of Indian cinema and marked an important milestone in the careers of both the director and the lead actress, Sharmila Tagore. The film revolves around Anupama (Sharmila Tagore), a shy and introverted young woman who faces emotional struggles due to her rejection by her father as her mother died during childbirth. The story takes a turn when Anupama meets a kind and understanding man, Ashok (Dharmendra). He brings her out of her shell, helping her realize her own worth. The music of Anupama was composed by Hemant Kumar, with lyrics written by Kaifi Azmi. The soundtrack features the timeless song Ya dil ki suno, sung by the director himself, as well as Kuch dil ne kaha, and Dheere dheere machal, both sung by Lata Mangeshkar. Devar (1966) It’s an emotional drama directed by Mohan Segal The movie stars Dharmendra, Sharmila Tagore, and Raaj Kumar in key roles. The film is based on the short novel Naa by the Bengali writer Tara Shankar Bandopadhyay. The film had the often repeated plot of childhood lovers separated later in life but at the time, its emotional story appealed to the audience, turning it into a hit. Dharmendra starred as a man who goes on a self-destructive spree and Sharmila Tagore played a woman who is hell bent to get justice for her murdered husband. The film had music by Roshan and lyrics by Anand Bakshi. It had some good sad tracks like Aaya hai mujhe phir yaad and Baharon ne mera chaman loot kar, both sung by Mukesh. Mere Hamdam Mere Dost (1968) Directed by Amar Kumar, the film starred Rehman, Mumtaz and Om Prakash besides Dharmendra and Sharmila Tagore. The film has all the hallmarks of being a melodramatic thriller, with lost and found moments and other twists aplenty. Dharmendra plays a poor but honest young man who is horrified (yes!) to know that his girlfriend was only pretending to be poor but is actually super rich. Sharmila Tagore spends the rest of the film trying to woo him over once again. Dark revelations kind of derail their relationship but things get alright in the end. The film had music by Laxmikant-Pyarelal and lyrics by Majrooh Sultanpuri. The musical love story had lovely songs like Chalkaye jaam, Hui shaam unka khayal aa gaya and Na ja kahin ab na ja, sung by Mohammed Rafi, as well as Chalo sajna jahan tak jahan chale and Allah ye ada, sung by Lata Mangeshkar. Satyakam (1969) Directed by Hrishikesh Mukherjee, it features Dharmendra in the titular role. The film is a poignant and powerful drama that explores themes of integrity, honesty, and the struggle to maintain one's ideals in a corrupt world. It’s based on a Bengali novel of the same name by Narayan Sanyal. It’s said to have one of the finest performances by Dharmendra, who plays a man who sticks for the truth, whatever the circumstances may be. Sharmila Tagore plays a woman who has been raped earlier in life and pines for a sedate life. She has problems with her husband, who is aware of the truth. They somehow fail to lead a contented life, because of his too honest nature and also because of the secret they share. Sanjeev Kumar plays the role of a wordly wise friend who tries to make the protagonist see reason, while Ashok Kumar plays the family elder who finally learns the importance of forgiveness towards the end. Yakeen (1969) Much before Don and even The Bourne Identity, came this thriller, directed by Brij Sadanah, about a man posing as his doppelganger. Dharmendra acted as both Rajesh, an innocent man on the run and Garson, the gangster who poses as him. Sharmila Tagore plays Rita, Rakjesh’s love interest, who is pregnant with his child. While the plot is all over the place, the negative role played by Dharmendra, with blue contact lenses and changed voice offered something new to the audience. It’s the most villainous role played by the actor ever. Chupke Chupke (1975) Directed by Hrishikesh Mukherjee, the film is known for its light-hearted plot, clever humor, and exceptional performances from its cast. A remake of the Bengali film Chhadmabeshi, it stars Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan, Om Prakash, Usha Kiran, David Abraham Cheulkar, Asrani and Keshto Mukherjee. Dharmendra plays a professor of Botany called Parimal, who with the help of his friends Sukumar (Amitabh Bachchan) and Prashant (Asrani), wife Sulekha (Sharmila Tagore) and uncle Haripad (David), plays a prank on his brother-in-law Raghav (Om Prakash). One hilarious situation follows the other as Parimal and company try to stretch the joke as long as possible. Both Dharmendra and Amitabh Bachchan had established themselves as action stars in the ’70s and Chupke Chupke showed that they possess great comic timing as well. Dharmendra and Sharmila gave off newly married couple vibes without resorting to any cheap tactics. It’s a family entertainer which can be enjoyed on a loop even now. Ek Mahal Ho Sapno Ka (1975) This is a rather forgettable formulaic film, directed by Devendra Goel, revolving around mistaken medical reports. Vishal (Dharmendra) and Aruna (Sharmila Tagore) are in love. Aruna gets to know that she might lose her eyesight in six months and breaks off the relationship, without telling Vishal the reason. Sonia (Leena Chandavarkar), falls for Vishal. Later Aruna gets to know she was misdiagnosed but still doesn’t tell Vishal the truth, thinking he’ll be happy with Sonia. Much twists and turns later, ultimately Sonia sacrifices her love to bring together the estranged lovers. The film has hummable songs such as Dekha hai zindagi ko, sung by Kishore Kumar and Dil mein kisi ke pyar ka, sung by both Lata Mangeshkar and Kishore Kumar. It had music by Ravi and lyrics by Sahir Ludhianvi. Sunny (1984) Directed by Raj Khosla and starring Dharmendra, Sharmila Tagore, Waheeda Rehman, Sunny Deol and Amrita Singh, the film’s story revolves around themes of family, loyalty, and emotional conflict. Inderjeet (Dharmendra) is married to Gayatri (Waheeda Rehman) but is in love with Sitara (Sharmila Tagore). She bears his child, Sunny (Sunny Deol), who is brought up by Gayatri as her own son, after Inderjeet passes away. Sunny falls in love with Amrita (Amrita Singh), who happens to be Sitar’s niece. The film had some lovely music by RD Burman and lyrics by Anand Bakshi. It had memorable songs like Jaane kya baat hai, sung by Lata Mangeshkar and Aur kya ahd-e-wafa hote hain, sung by both Suresh Wadkar and Asha Bhosle. This was the last film done together by this golden couple. They were supposed to be cast together in Karan Johar’s Rocky Aur Rani Kii Prem Kahaani (2023) but Sharmila’s ill health at the time prevented that. Her role was ultimately essayed by Shabana Azmi. Also Read: Throwback: Dharmendra & Sharmila Tagore were to star in Gulzar’s Devdas。但这真的公平吗？由于新的 Master Collection Vol. 2，这款游戏终于可以让所有人都能体验到 MGS4 了——从 2008 年就开始玩它的系列死忠粉，到完全不知道自己将面临什么的 METAL GEAR SOLID Δ: SNAKE EATER 新手。

三 | 他们都会思考 MGS4 引发的许多问题，比如：我们还会再看到这样的游戏吗？为什么我们不再谈论它了？以及，也许最重要的是：MGS4 真的很棒，不是吗？“雨中的闪电”小岛秀夫并不想制作合金装备4：爱国者之枪。

四 | 他早在 MGS 2 时就公开表示想要结束这个系列，然后在 METAL GEAR SOLID Δ: SNAKE EATER 之后宣布他已经完成了这个传奇。小岛的话语透着疲惫，但他的行动却并非如此。他并没有真正准备好继续前进——这两款游戏都散发着动力和生命感。Guns of the Patriots 感觉不同。

五 | 游戏中有一种阴郁的重量感，就像一场葬礼——那种喧闹的葬礼，朋友、恩怨和火焰聚集在一起结算恩怨，尴尬地勾搭，并庆祝结束。在 MGS4 之前，我们最后一次见到 Solid Snake 是在 2001 年，当时他在美国前总统驾驶巨大的科幻潜艇撞入曼哈顿下城后，留下了一段预言式的独白并消失在街道中。就情况而言，这无疑是一个需要后续交代的故事，在粉丝多年要求这位传奇雇佣兵回归后，小岛以标志性的恶搞方式满足了要求。你得到的不是那个狂妄自大、能靠一条具有元虚构色彩的头巾击杀成群天狗的机甲杀手超级士兵。据报道，小岛曾因不愿通过 MGS4 推进故事而收到死亡威胁，相反，他交付了一个虚弱的、正在腐烂的遗物。

六 | Old Snake 在痛苦地爬行完成他的最终任务时，发出的喘息、尖叫、咳嗽和湿润的哽咽声，这一切仅仅是为了获得在被毒血毁灭人类之前死去的特权。Old Snake 在“受难者”变得酷炫之前就已经在受难了。这是我们最近经常看到的一种桥段：昔日备受喜爱的英雄，痛苦、崩溃、卑微，所有这一切都是为了在演职员表滚动前将火炬传递给一位充满活力的新人。但这里没有戴着纸箱的 Rey，没有 Adonis Creed，没有 Robin，也没有任何准备通过卖游戏来延续 Snake 遗产的活泼次世代主角。在合金装备4：爱国者之枪的故事结束时，几乎所有人要么老了，要么死了，要么结婚了，这是一首苦涩而优美、带有总结性的悼词，献给一位浑身烟味、极具英雄色彩却彻底衰老的老人。

七 | 现代媒体的设计是为了自我保护，保持神话的市场价值，并为未来的开发留下开放式结局。小岛在 MGS4 中做了完全相反的事情，对他当时毕生的心血进行了和平的安乐死。这是一个充满爱和诚意的勇敢举动，任何对老年 Snake 感到不满的人，都因为沉浸在粉丝福利的盛宴中而无法生气太久。

八 | Guns of the Patriots 是小岛以自己的方式结束一切；一部迸发着未经滤镜修饰的真诚的豪迈史诗。很少有庞大的故事能像 METAL GEAR SOLID Δ: SNAKE EATER 那样收尾得如此整齐，即使这里的“整齐”意味着缝隙开裂且略显草率。小岛在 1987 年为 MSX 制作 METAL GEAR SOLID Δ: SNAKE EATER 时并没有一个长达数十年的宏伟计划，但他设法通过胡吹瞎编为几乎所有事情找到了令人满意的答案。

九 | 这是对 Snake 和该系列一次雄心勃勃、混乱且真诚的告别。从这里开始真的无路可走了。这就引出了一个避不开的话题，它正悬在这次讨论之上：Guns of the Patriots 并不是最后一款 METAL GEAR SOLID Δ: SNAKE EATER 游戏。

十 | 尽管他抗议，小岛还做了两款 METAL GEAR SOLID Δ: SNAKE EATER：掌机上的 METAL GEAR SOLID Δ: SNAKE EATER: Peace Walker（除了名字外完全是正统续作）和悲剧性的 MGS5。两者都尊重他在时间线末端筑起的砖墙，稳妥地在过去徘徊，而不是向前推进。小岛决定让系列横向发展，尝试技术和形式，直到科乐美将他踢出局。小岛真正的最终章到来时，是妥协且不光彩的，这是他与科乐美丑陋分手的牺牲品，也是一个苦涩的结尾。Guns of the Patriots 是小岛以自己的方式结束一切；一部拥有巨额预算、迸发着超强自信和未经滤镜修饰的真诚的豪迈史诗。这将是他最后一次制作这样的游戏。“战争改变了”Guns of the Patriots 与之前的每一款 METAL GEAR SOLID Δ: SNAKE EATER 正传游戏一样，结构上是一部线性的、电影化的动作冒险故事。从 2026 年的视角来看，这几乎是古雅的，当时行业的一半靠开放世界运行，另一半靠实时服务型的垃圾菜单运行，但这曾是小岛职业生涯早期的工作模式。

十一 | 然而，对于一个如此致力于用痛苦的细节讲述一个连续故事的作品，MGS4 感觉出奇地具有章节感。它的五个幕中，每一幕几乎都是不同的类型。

十二 | 前一分钟你还在战场上挪动，下一分钟你就在东欧的街道上穿着风衣潜行。小岛把我们带入全球各地的战区和武器设施，引入新想法，然后又迅速跳过它们。备受吹捧的阵营忠诚系统在第二幕后就不再重要，而操纵敌人情绪的机制直到二周目才真正成为一个因素。Snake 有多达 70 种枪械可用，但大多是多余的，而无处不在的心理槽（Psyche meter）除了在一些时机完美的喜剧效果外，很快就退居幕后。就像小岛把剩下的每一个荒诞的“METAL GEAR SOLID Δ: SNAKE EATER”想法都塞进游戏里，仿佛这是他最后的机会，或者他是这么希望的。小岛的好莱坞抱负在这里疯狂滋长，虽然有些冗长的电影剪辑是一种折磨，但我愿意忍受一千次痛苦的任务简报，去重温 MGS4 中那些令人反胃、令人紧张的剧情与机制的融合，比如变态模式的分屏动作场面，以及微波走廊中触手可及的绝望感。游戏的线性是一个巨大的优势。我们通过 Old Snake 经历了他艰辛磨难的每一秒。我们对每一次受伤和每一次残酷的否定感到退缩。

十三 | 从 Solid Snake 渗透世外天堂的那一刻起，他就是我们的替身，撇开插曲不谈，当他最后一次与“Liquid”格斗时，我们感受到了漫长旅程的每一刻。那种体现感，身处 Snake 体内，成为他的一部分……你无法从任务选择界面中获得这种感觉。但小岛在他的 METAL GEAR SOLID Δ: SNAKE EATER 传奇的后续及最后几款游戏中，将以这些冷漠的菜单为核心进行构建。MGS4 让 Snake 的痛苦感觉就像是我们自己的痛苦，该系列再也没有达到过那种感染力的水平。由于对 PS3 宏大愿景的限制感到沮丧，小岛转而走向小型化。同样收录在 Master Collection Vol. 2 中的 METAL GEAR SOLID Δ: SNAKE EATER: Peace Walker 最初是为掌机 PSP 打造的，因此在没有蓝光光盘和 Cell 处理器的奢侈条件下，一部庞大的线性作品基本上是不可能的。相反，他针对掌机系统的优势进行了设计：从菜单中选择简短、易上手的潜行任务，非常适合在火车上或候诊室玩。

十四 | 之前的 METAL GEAR SOLID Δ: SNAKE EATER 依靠大片式的叙事来吸引你，但 METAL GEAR SOLID Δ: SNAKE EATER: Peace Walker 依靠令人上瘾的基地建设、可选挑战以及从 Monster Hunter Stories 3: 命运双龙借来的 RPG 系统来让你沉迷。在 Snake 划过 Big Shell 七年后，“刷装备”回到了 METAL GEAR SOLID Δ: SNAKE EATER 中，而且这次它留了下来。小岛显然对结果很满意。他将 METAL GEAR SOLID Δ: SNAKE EATER: Peace Walker 视为第五部 MGS 正传作品，多亏了重新发行，它比一般的 PSP 游戏具有更持久的生命力。他非常喜欢这个公式，以至于将其作为未来的默认模式：MGS5 和死亡搁浅2 游戏都运行在相同的骨架上，拥抱计时器和数值，并在从列表中选择的孤立任务中评判你的表现。照这个速度，我们可能在 ACRODRIFT: FPV无人机模拟器中追求 S 评价。它在掌机上运行得非常完美，对于像山姆·布里吉斯（Sam Bridges）这样沉默的符号来说也是如此，但它确实不适合传统的 METAL GEAR SOLID Δ: SNAKE EATER。

十五 | MGS5 摆脱了 272p 屏幕的束缚，但即使拥有 Fox 引擎的全部光辉，由菜单驱动的交互模式也让我们与 Snake 保持了距离。故事变成了另一个清单项目，不断刷支线任务，直到列表中出现一个真正重要的任务。我们站在全知的高度观察，Snake 评估未来下属的数值并浏览科技树。

十六 | 对于一个喜欢直接戏弄玩家、缩小玩家与角色之间空间的系列来说，失去那种亲密感是有代价的。MGS4 让 Snake 的痛苦感觉就像是我们自己的痛苦，该系列再也没有达到过那种感染力的水平。在 Old Snake 的脑海里待上几十个小时有时确实令人不悦，以至于让这款游戏几乎难以重温，这也是 MGS4 的遗产如此沉寂的几个原因之一。“从零到一”当没有人能玩到一款游戏时，它很难产生持续的影响。合金装备4：爱国者之枪已经消失多年，被活埋在索尼已经停售近十年的硬件上。无数经典作品被困在古老的科技中，但对于一个庞大的 3A 系列的正统作品来说，这是罕见的。

十七 | PS3 的 Cell 处理器开发难度之大臭名昭著，其奇特的架构与行业标准相去甚远，使得移植任何内容都成为一场噩梦。这也是为什么模拟器——对保持商业上被遗弃的游戏的生命力至关重要——也无法拯救 Old Snake 的原因。

十八 | 虽然最近取得了长足进步，但在原生硬件之外运行 MGS4 仍然是一个巨大的难题。这些技术难题并非不可逾越，那些超级具体的索尼引用或 MGS4 中简直荒谬的产品植入授权纠葛也不是。它只需要一个足够关心、愿意投入资源进行移植的发行商，并且有勇气把优衣库、苹果和花花公子请回谈判桌。科乐美在很长一段时间里都满足于让这个系列凋零，因为它明确地放弃了电子游戏而转向帕青哥厅。在时间线上，它只在白金工作室大胆的衍生作品 METAL GEAR SOLID Δ: SNAKE EATER Rising: Revengeance 中真正纠结过如何接续 MGS4。除此之外，如果没有人能购买或玩到 MGS4，对科乐美来说并不重要。幸好，情况发生了变化。科乐美向电子游戏的回归目前为止进展顺利，现在 MGS4 正在经历一场完美的重生，包括 iPod 在内的一切。在荒野中度过这么多年后，现代玩家会如何看待它？按照现代标准，Guns of the Patriots 是一款极具敌意的游戏，过场动画完全失控。

十九 | 对小岛的一个常见批评是他宁愿拍电影也不愿做游戏，但很难想到有哪部电影长达九小时，主要由静态的无线电通话组成，并且包含人们喝着苏打水、抽着烟围着小女孩哭诉纳米机器和传染病的冗长场景。

| 无论 MGS4 是什么，它都不是电影，而且它肯定不是为新手准备的。

| MGS4 不会被与前三部作品相提并论，当它被提及时，也很少是因为它真正取得的成就。

| 而且由于几乎没有人能玩到这款游戏这么久，它作为一场令人不适的过场动画巡游的名声便成了唯一留存的东西。当周围没有任何东西可以反驳时，观点就会钙化。这并不是说没有人尝试继承 MGS4 的衣钵。Resident Evil Requiem 有时感觉几乎像是一部致敬作品，一位受尽苦难的英雄在死于一种让他不断咳嗽的科幻疾病时，回到他故事开始的地方进行最后的征程。到最后，里昂用伪造的德雷宾点数升级他的武器，与他的宿敌进行肉搏，并在高科技走廊中一寸一寸痛苦地爬行。在不剧透结局的情况下，Resident Evil Requiem 没有像 MGS4 那样孤注一掷的胆量。它对浣熊市的致敬让我们在已经以高清形式走过两次的地方进行了一次怀旧之旅，远没有达到 MGS4 对影子摩西岛（另一个在 1998 年引入的神圣游戏空间）致敬时那种摇摆不定的 PSX 顶点的程度。

| 结局也戛然而止，处理得干干净净，为进一步的冒险和盈利的续集留下了充足的空间。在随后的几年里，3A 游戏并没有朝着 MGS4 的方向发展。预算太庞大，老板太苛刻，不允许像小岛这样的怪胎再次脱离束缚——当然，除非是你本人。但小岛之所以能做到这一点，是因为他有能力离开那个让 MGS4 成为可能的系统。其他所有人仍在听命于电子表格，并且可以理解地对不受约束的远见者心存畏惧。现代游戏那种稳扎稳打的本能可能会为 MGS4 的名声创造奇迹。乔治·卢卡斯和他的《星球大战》前传多年来遭遇了类似的评价，被斥为无人能管的作者导演自以为是的臃肿之作。但十年经过焦点小组测试的公司化《星球大战》续集引发了对饱受诟病的第一、二、三部曲的真正重新评估，现在 MGS4 再次面世，它也理应受到同样的对待。前传和 MGS4 都是混乱的、过度填充的，而且经常令人尴尬，但它们从未平庸。