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Multiple Chinese universities raise gaokao score requirements for arts admissions_我的网站

一 |     Pradeep Ranganathan is clearly in no mood to slow down. Even as his delayed project Love Insurance Kompany awaits a confirmed release date, the actor has already locked his next film and this time he will be wearing two hats. Pradeep is set to direct the upcoming project while also playing the lead, with AGS Entertainment stepping in as producer.The confirmation came straight from Archana Kalpathi of AGS Entertainment, who revealed the development during a recent interaction with a news outlet. The announcement has sparked interest among fans, especially since this marks Pradeep’s third collaboration with the banner after the blockbuster success of Love Today in 2022 and Dragon in 2025. Both films cemented his reputation as a filmmaker who understands contemporary youth culture and box office pulse.A trusted partnership continuesThe Pradeep Ranganathan and AGS Entertainment association has so far proven to be a commercially rewarding one. Love Today emerged as a surprise hit and turned Pradeep into a household name, while Dragon further reinforced his ability to deliver crowd pleasing entertainers. With this new project, expectations are naturally high, especially since Pradeep will be returning to direction after focusing on acting in recent outings.While details about the genre and supporting cast are being kept under wraps, industry buzz suggests that the film will once again tap into themes that resonate strongly with younger audiences. For AGS Entertainment, backing Pradeep once more seems like a logical move given their shared track record of success.                                                                 View this post on Instagram          A post shared by Pradeep Ranganathan (@pradeep_ranganathan)                         Riding high after DudePradeep was last seen in Dude, directed by debutant Keerthiswaran. The film featured Mamitha Baiju as the female lead, with R Sarath Kumar, Hridhu Haroon, Rohini, Aishwarya Sharma and Neha Shetty in key roles. The story revolved around two relatives who come together to launch an event planning business, only for personal emotions to complicate their professional partnership when one of them falls in love and proposes marriage.Despite receiving mixed critical feedback, Dude struck a chord with audiences and went on to collect over Rs 100 crore worldwide. The film marked Pradeep’s third consecutive entry into the 100-crore club after Love Today and Dragon. It also emerged as the clear box office winner during the recent Diwali clash, outperforming Bison starring Dhruv Vikram and Diesel featuring Harish Kalyan.The waiting game for Love Insurance KompanyMeanwhile, Love Insurance Kompany, directed by Vignesh Shivan, continues to remain in limbo. The sci-fi romantic entertainer stars Krithi Shetty and SJ Suryah alongside Pradeep and was initially planned as a festive Deepavali release. However, the makers decided to postpone the release of the film in order to avoid clashing with Dude.                                                                 View this post on Instagram          A post shared by Pradeep Ranganathan (@pradeep_ranganathan)                         With no promotional material released ahead of the new date, the film has since been pushed further, with the team yet to announce a revised release plan. Backed by Nayanthara and Vignesh Shivan’s Rowdy Pictures along with SS Lalit Kumar’s Seven Screen Studio, the project remains one of the more anticipated titles in Pradeep’s lineup.As he prepares to return to direction under the AGS banner, Pradeep Ranganathan seems poised to open a fresh chapter in his career, one that could once again redefine his place in Tamil cinema.Also Read: Pradeep Ranganathan thanks fans after Dude earns his 100-crore hat-trick。    

    Students practice their skills at a dance training center in Handan, North China's Hebei Province. Photos: VCG
Even during summer break, changes to the admissions policy at the Communication University of China (CUC) have sparked heated discussions among students, with the reform becoming a hot topic on campus and on social media.
Amid heated debate over China's top media and arts school's admission reform, eight majors, including radio and television directing and theater directing, will no longer require separate arts exams and will instead admit students based solely on gaokao (the national college entrance exam) scores starting next year.
China's art college entrance examination, known as yikao, is a special admission pathway for students applying to arts-related majors. Applicants take both the gaokao and professional tests in areas such as fine arts, music, dance, acting, broadcasting and directing. Compared with many other university programs, art majors have traditionally placed less emphasis on gaokao scores and more on candidates' professional abilities and artistic potential.
"As one of China's most influential universities for media education, CUC's reform is seen as having broader implications," Xiong Bingqi, president of the 21st Century Education Research Institute and vice president of the China Association of College Newspapers, told the Global Times.
In his view, future arts admissions are likely to place greater emphasis on students' cultural literacy, professional interests and long-term potential.
    A view of the campus of Communication University of China in Beijing
Beyond the 'shortcut'

CUC's move reflects a broader trend among Chinese arts universities. In recent years, institutions such as Nanjing University of the Arts and Henan Academy of Fine Arts have reduced the number of majors requiring school-based exams on their specific art subjects, placing greater emphasis on academic performance and provincial-level arts examinations.
The changes reflect a broader trend in China's arts education admissions system, where universities have increasingly emphasized students' cultural foundation alongside their artistic abilities.
"CUC's latest adjustment reflects a broader trend in arts education reform, with some arts-related majors beginning to admit students based on their gaokao scores rather than separate professional examinations," Xiong told the Global Times.
According to Xiong, one of the key goals of the reform is to address the utilitarian mindset among some students and parents who view arts admissions as a "shortcut to college." 
In the past, some arts programs had relatively lower requirements for cultural scores, prompting some students with weaker academic performance to turn to arts exams and enroll in professional training programs during high school. As a result, arts admissions were sometimes seen not as a choice driven by genuine artistic interest or career aspirations, but as an alternative pathway to enter universities.
"The cooling of arts exam fever, to me, is a good thing for arts education and talent cultivation," Xiong said. "By admitting eight majors directly based on cultural scores, CUC is effectively removing the stepping stone of the 'shortcut to college,' allowing more students with genuine artistic interests and professional ambitions to enter these fields."
For students, the reform has directly changed how they prepare for university and make academic choices.
"The changes have created more pathways for students interested in media-related fields," a junior arts management student surnamed Wang at CUC, told the Global Times.
Wang recalled that many students around her began preparing for arts exams as early as their sophomore year of high school and later traveled to cities where their target universities were located for intensive training.
As some media-related majors shift to cultural-score-based admissions, more students who did not take the arts exam but have a genuine interest in the media field may gain opportunities to enter these programs, she said.
Rethinking media talent
Beyond changing how students enter arts majors, the reform has also sparked discussion over how universities should train future media professionals.
A CUC sophomore student surnamed Wei from the School of Theater, Film and Television told the Global Times that one challenge after scrapping arts exams for some majors is how to support students who enter without systematic professional training.
"Students who previously prepared for arts exams often developed basic skills in audiovisual language and practical experience before entering university. Those admitted based on gaokao scores may need stronger professional guidance and more opportunities for practice," Wei said.
In addition to individual student development, the reform has also prompted discussions over what qualities future media professionals should possess. Kai Zhu, a drama education instructor at a leading high school in Beijing, told the Global Times that an overemphasis on exam-oriented training in media arts education had previously led some programs to focus on templates and techniques while neglecting core competencies.
"If media arts become a low-score pathway to university, the professional nature of the field will become blurred, and the industry may face a shortage of well-rounded talent," Kai said. CUC's reform signals a shift toward selecting media talent with both cultural depth and professional skills. 
"Creative fields such as screenwriting and filmmaking are not built on technical skills alone; they require an understanding of society, humanity and history," he said. 
"Cultural accumulation determines the depth and vision of creative works."
The reform is therefore not merely about changing the way students enter arts programs. Ultimately, it is about what kind of creators media and arts programs hope to nurture: not only those equipped with professional skills, but those who can think deeply, understand society and transform their cultural knowledge into meaningful works, he noted.
Wang Wenpei contributed to this story.

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Published on:03:21:55